Monster Resurrection
An Archaeology of Calculating Machines
David Link



Shows:

Yamaguchi Center for Arts and Media YCAM, Yamaguchi, Japan, 6th July – 29th Sep 2013
"Infosphere", ZKM, Karlsruhe, 4 Dec 2015 – 31 Jan 2016




Christopher P. Burton

John Harper

Tony Sale

Doron Swade


Outdated machines are like monsters whose insides nobody understands any more – incomprehensible and scary. Once they’ve gone down it requires a joint effort of intellect and the art of engineering to bring them back to life again.

"Monster Resurrection", a video installation by the artist and theorist David Link, portrays four British engineers and curators who practiced media archaeology long before the humanities discovered the theme. Christopher P. Burton, John Harper, Tony Sale and Doron Swade worked intensively over many years on reconstructing four machines, which represent some of the milestones in the history of computing. The interviews recount the reconstruction of the "Difference Engine No. 2", which was developed by Charles Baggabe in the middle of the 19th century and the "Manchester Baby", the world’s first computer that was developed in Manchester in 1948. The engineers also report on the reconstruction of the "Turing Bombe" and "Colossus", two machines that were developed during the Second World War in top secrecy at Bletchley Park in England, where scientists like Alan Turing succeeded in cracking the German armed forces' encoding.

As the apparatuses had been destroyed or never finished they had to be reconstructed from scratch using original plans and photographs. Media archaeology projects like this are essential because a reliable history of these machines and the algorithms carried out on them can only be written on this basis.

The collection of interviews in "Monster Resurrection" follows the team leaders of these four projects, their careers, the emergence of their interest in old apparatuses and the completion of the reconstruction project in detail. What were the factors that made it possible to achieve authenticity? And how were those machine parts identified where this was not possible? The interviews are supplemented by demonstrations of the four replicas, which provide an insight into how they work.


Impressions from the ZKM Show

 


Copyright for all photos © David Link and Katja Christochowitz